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8 January 1836 – 25 June 1912. Most renowned painters.

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GIuseppe Cesari Called Cavaliere arpino
Diana and Actaeon

ID: 71546

GIuseppe Cesari Called Cavaliere arpino Diana and Actaeon
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GIuseppe Cesari Called Cavaliere arpino Diana and Actaeon


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GIuseppe Cesari Called Cavaliere arpino

Rome 1568-1640  Related Paintings of GIuseppe Cesari Called Cavaliere arpino :. | Diana and Actaeon | David with the Head of Goliath | Perseus Rescuing Andromeda | Christ Taken Prisoner | Diana and Actaeon |
Related Artists:
Giovanni Ghisolfi
Italian Painter , ca.1623-1683 He first trained with his uncle, Antonio Volpino. In 1650, together with his friend Antonio Busca, he travelled to Rome, where he studied the great compositions of Pietro da Cortona and for some time frequented the studio of Salvator Rosa. In 1661 he returned to Lombardy and worked at the Certosa di Pavia, decorating a whole chapel with frescoes showing Legends of St Benedict (in situ), and later providing a canvas of St Bruno, which is now in the Certosa library. In the background of this picture Ghisolfi painted a sloping landscape in a style very close to that of Pietro da Cortona. In the following years he evidently established a reputation for landscape paintings with architecture and ancient ruins. In 1664 he was called to Vicenza to execute, in the Palazzo Trissino Baston and the Palazzo Giustiniani Baggio, an extensive series of decorative landscape frescoes (partially destr.; known through photographs). Numerous preparatory drawings for these exist (Haarlem, Teylers Mus.; Windsor Castle, Berks, Royal Col.). In the same period Ghisolfi collaborated with Antonio Busca on a series of decorative frescoes in the gallery of Palazzo Borromeo Arese at Cesano Maderno, near Milan, and later, with Federico Bianchi, in the Villa Litta Modigliani (1680) at Varese. Both these works have been gravely damaged by decay and later repaintings.
Ole Peter Hansen Balling
1823-1906
CLERCK, Hendrik de
Flemish Baroque Era Painter, ca.1570-1630 Flemish painter and draughtsman. In 1587 he was working in Rome with the Brussels painter Frans van de Kasteele. That he subsequently lived in Brussels is confirmed by documentary evidence and by his status as court painter to the governors of the southern Netherlands. Stylistically, de Clerck's work (both paintings and drawings) is close to that of the Antwerp late Mannerist Marten de Vos, traditionally thought to have been his teacher, but it is possible that he was apprenticed to Joos van Winghe in Italy. He was later a member of the Brussels painters' guild, where from 1601 to 1611 Jan van Overstraeten was registered as his pupil. It was in 1594 that de Clerck was appointed court painter in Brussels, first to Archduke Ernest. In 1596, after the Archduke's death, his brother Emperor Rudolf II arranged for de Clerck to stay on as court painter in the service of the new Archdukes, Albert and Isabella. In 1609 de Clerck and Wenceslas Cobergher were commissioned to decorate the ceiling of the oratorium in the archducal palace in Brussels






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